Doctor Who: Every Time The Doctor Has Gotten Married

ClassicDoctor Who fans often protest the Doctor should be largely asexual, but he's actually gotten married a surprising number of times. In 1996, theDoctor Who TV movie made history when - for the first time - it showed the Doctor share a passionate kiss with doctor Grace Holloway, who had served as a sort of companion figure. Until then, the Doctor had been assumed to be largely asexual, and certainly producers and showrunners avoided giving the impression there was any hanky-panky going on in the TARDIS. McGann's Doctor was unusually attractive, and writers of the Doctor Who books couldn't resist implying he had a new degree of sexuality as part of that incarnation. In Lance Parkin's "Dying Days," companion Bernice Summerfield kissed him on the mouth and pushed him on to a bed, before the scene promptly ended - leaving the rest to the imagination.

Of course, in reality the Doctor has never been explicitly asexual. When William Hartnell was introduced as the First Doctor, he was traveling with his granddaughter Susan, which explicitly suggested the Doctor had a family at one time, with at least one child. This was confirmed in the post-2005 Doctor Who relaunch, with the Tenth Doctor telling Rose he "was a dad once." In "The Doctor's Daughter," advanced technology was used to give the Doctor a new daughter, Jenny, and looking at her reminded him of the loss of his family.

Related: Doctor Who: Why The Fourth Doctor Had A Second (Original) TARDIS Console Room

The Doctor has been confirmed to marry twice, both in the new series. The most notable wife is, of course, River Song, the temporally confused daughter of the Doctor's companions Amy and Rory, who experiences time in a different way to the Doctor. This was a strange romance, given the two were experiencing their timelines in completely different ways. Still, it's the only relationship the Doctor has had that seemed to be between equals.

Another prominent marriage was between the Ninth Doctor and Queen Elizabeth the First. As shown in "The Day of the Doctor," the wandering Time Lord met Elizabeth when he arrived on Earth looking for Zygon invaders. The two married in a sweet (but rushed) ceremony, witnessed by two other incarnations of the Doctor. He didn't stick around, though, and instead abandoned the so-called Virgin Queen.

By "The Shakespeare Code" in 1599, Elizabeth had grown deeply angered at the Doctor's actions. She ordered him executed as soon as she clapped eyes on him. Amusingly, this marriage actually means the Doctor has another familial relationship to Amy and Rory; according to "The Power of Three," Amy accidentally married Queen Elizabeth's father Henry VIII. Amy is therefore technically the Doctor's mother-in-law twice over.

The Doctor has a habit of getting accidentally engaged. In fact, in "The Aztecs" the First Doctor famously accepted a cup of cocoa from an elderly Aztec woman named Cameca, unaware it constituted a proposal. The Tenth Doctor admitted he accidentally got married to Marilyn Monroe when they crossed paths at a party in 1952, although he questioned the chapel's legitimacy in "A Christmas Carol." And River Song accused him of also marrying Queen Cleopatra in "The Husbands of River Song," with the Doctor apparently quite unhappy she brought that up.

More: Doctor Who Has Already Set Up Graham's Ideal Replacement For Season 13



source https://screenrant.com/doctor-who-every-time-married-wives/

KUWTK: Does Kourtney Understand White Privilege Enough to Teach Kids?

DoesKourtney fromKeeping Up With The Kardashians understand white privilege enough to teach her kids? Followers wonder just how much the famous family lives in the real world.

The three Kardashian sisters shot to fame with their popular E! show, Keeping Up with The Kardashians. Over the years, the famous family has allowed cameras to follow their private and public lives while raising families in Southern California, going through divorces and sibling rivalries. Fans watched as Kourtney met Scott Disick and had three children with him, only to eventually call it quits. The eldest of the Kardashian siblings have been slowly retreating from the spotlight much to the dismay of the rest of the dynasty. The moves caused an all-out war that was caught on camera for the most recent season.

Related: Kim Kardashian Reportedly Wants to Spend Time Apart From Kanye West

With all that is going on in the world, Kourtney is adamant about teaching her three children about their white privilege. George Floyd’s death has magnified America’s race divide ad impact that police brutality has on a community. Kourtney is no fool and understands that she and her children live in lucky standards since they will inherit money when they grow older.  Kourtney took to Twitter to share her opinion on the Minnesota slaying. She expressed concern for her nieces and nephews of color also.

She stated that as a mother she has a natural instinct to protect her children as most parents do. The reality star went on to say that racism is not in the past. It is still very much alive today. She explained that she bore the “responsibility to speak†with her children's honesty about what happened. She wanted to make sure her three children understood what exactly white privilege meant and to take the time to learn and speak about Black History. The mother also encouraged other parents to join her in her quest to educate their young youth so that their children can feel comfortable to talk about anything.

The idea of a Kardashian understanding white privilege struck a chord with many fans as the family often seems removed from real-world problems. Overall, Kourtney would like to be a more well-rounded human being. As she educates herself, she hopes it will inspire others to learn around her. The turn of positivity is a far cry from recent weeks regarding other Kardashian family members as Khole was accused of photoshopping a picture as well as her sister Kim for allegedly making her daughter, North, look thinner. Kylie Jenner also made the news due to being demoted from billionaire to millionaire.

Next: Tensions at an 'All-Time High' Between Kris Jenner & Kylie Jenner amid Forbes Drama

Source: Kourtney Kardashian



source https://screenrant.com/keeping-up-with-kardashians-kourtney-white-privilege-kids/

‘Lucky Grandma’ urges us to know when to step back

“Lucky Grandma” (2019 production, 2020 release). Cast: Tsai Chin, Corey Ha, Michael Tow, Woody Fu, Yan Xi, Wai Ching Ho, Eddie Yu, Ali Ahn, Mason Yam, Emma Ming Hong, John Tan, Zilong Zee, Lyman Chen, Arden Wolfe, He Jun Miao. Director: Sasie Sealy. Screenplay: Angela Cheng and Sasie Sealy. Web site. Trailer.

Turning away from a good thing can be hard to do. The seductive nature of good fortune can be difficult to back away from, especially once we’ve had a taste of it. But over-imbibing can have its drawbacks, sometimes more dire than anticipated, leading to all kinds of unpleasant consequences. Such is the case for a lucky streak run amok in the raucous new Chinese-American comedy, “Lucky Grandma.â€

For Grandma Wong (Tsai Chin), a longtime resident of New York’s Chinatown, life hasn’t been easy. She and her husband spent many years toiling to make ends meet, an experience that hardened the feisty, chain-smoking matron to the often-unfair ways of the world. But even that background hasn’t fully prepared her for her present circumstances. Now that she’s in what are supposed to be her golden years, a time to finally kick back and relax, she’s doing it alone, her spouse having recently died. Her son, Howard (Eddie Yu), would like her to move in with him and his family in suburbia, but she sees that as nothing more than just a new set of limitations not unlike what she has experienced throughout much of her life.

To see what the stars have to say, Grandma Wong decides to visit Lei Lei (Wai Ching Ho), a fortune teller. Much to her surprise, Grandma learns that a streak of unbelievable good luck awaits her in the near future. Lei Lei says that everything points to endless abundance and boundless good fortune, even if adverse forces try to impinge upon her. So, armed with that advice, Grandma decides to throw caution to the wind and see what happens. She withdraws all the funds from her bank account, hops on a charter bus and heads for a Connecticut casino. And, just as Lei Lei predicted, Grandma can do no wrong when it comes to her wagering, amassing a small fortune. Alas, things fall apart when she places a bad bet – and loses everything.

While paying a visit to a Connecticut casino, Grandma Wong (Tsai Chin, seated, second from right) can do no wrong when placing her bets in director Sasie Sealy’s delightful new comedy, “Lucky Grandma.†Photo courtesy of Eduardo Mayén, Good Deed Entertainment and Kino Lorber.

On her way back to New York, Grandma sulks over her losses, a condition made more irritating by the man sitting in the seat next to her, who keeps slumping over on top of her. She soon discovers, however, that he isn’t sleeping; he’s dead, having apparently expired from a heart attack. And, not long thereafter, when the bus makes a sudden stop, a duffel bag from the overhead rack drops down and lands in her lap – literally. It turns out to be the dead man’s bag, and it’s filled with cash, even more than she lost on her ill-fated bet. So, with her luck apparently still holding, upon arrival back in New York, she quietly slips off the bus, taking the bag with her.

What Grandma doesn’t realize, however, is that the dead man sitting next to her was Mr. Lin (He Jun Miao), bookkeeper for the Zhangliong street gang, a criminal organization currently at war with the rival Red Dragon gang. She learns of this when she comes home from a Chinatown shopping spree and finds her apartment ransacked by two Red Dragon members, Little Handsome (Michel Tow) and Pock-Mark (Woody Fu). They question her about the money, suspecting she’s got it well hidden someplace. But Grandma plays dumb, drawing on her street smarts to bluff her way out of the situation (not an especially difficult task given the dimwitted nature of her uninvited guests). Still, despite her seemingly convincing cover story, the henchmen leave her with a stern warning before they depart, a threat that causes Grandma to realize she needs professional protection.

In short order, Grandma seeks out the services of a bodyguard from a local protection racket. After some dickering about the price and the personnel with Lao Shei (Zilong Zee), the head of the outfit, she settles on hiring Big Pong (Corey Ha), a somewhat daft, seemingly gentle giant who nevertheless knows how to throw around his muscle when circumstances warrant. The unlikely duo quickly grows close, with Grandma offering her cohort sage advice on par with the protection he affords her. However, during their time together, she learns of his affiliation with Zhangliong. Through the grapevine, she also learns about the gang’s leader, Sister Fong (Yan Xi), a cunning, ruthless criminal who’s not afraid of cutting deals – or throats – to get her way. And, with Grandma secretly holding the Zhangliong money she took from Mr. Lin, she now faces the prospect of two sets of criminal elements pursuing her, including one linked to her personal bodyguard. At this point, she has to ask herself, how much longer will her luck hold out?

The unlikely duo of Grandma Wong (Tsai Chin, right) and her sometimes-clueless bodyguard, Big Pong (Corey Ha, left) develops an unexpected bond while trying to stay ahead of two rival Chinese street gangs in the hilarious new comedy, “Lucky Grandma.†Photo courtesy of Eduardo Mayén, Good Deed Entertainment and Kino Lorber.

Given the life she’s led, Grandma is ready for a break, eager to be cut some slack. For all she’s done, she justifiably feels like she’s owed something, that it’s time for a little good luck (or, in her case, a lot of good luck). And, as the fulfillment of Lei Lei’s prediction demonstrates, Grandma indeed gets her wish. Even though her streak of good fortune runs counter to what she has typically experienced over the years, on some level she definitively staked an intent for that to change, making it perfectly clear that she wanted something different for herself now, the evidence of which is apparent in her newfound overflowing abundance.

So how did this all come about, especially since it’s so unlike Grandma’s track record? From the presence of a Buddhist altar in her living room, it’s obvious Grandma is quite a person of faith, trusting the divine spirit to aid and protect her, to help make her wishes and dreams come true. And that collaboration is at the core of her good fortune. By confidently staking her intent and firmly believing in its materialization with the aid of her celestial partner – God, Buddha, the Universe or whatever one wants to call it – Grandma now finds herself rolling in dough. This is the kind of alliance that drives the conscious creation process, the philosophy that maintains we manifest the reality we experience through the power of our thoughts, beliefs and intents working in conjunction with the power of our divine collaborator.

Even if Grandma is unfamiliar with the philosophy itself, it’s obvious she understands its principles and knows how to make them work. Evidence of what’s about to unfold is present through all of the divining tools Lei Lei uses, and the message is so clear that she can’t help but interpret it any other way. And, once Grandma is informed of the message, she confidently embraces it, immediately taking steps to bring it into being by cashing in her life savings and heading for the casino. What’s more, her wish materializes so solidly that, even when she thinks she’s lost everything, her luck continues. That’s quite a confirmation.

A somewhat-daft gentle giant who knows how to throw his muscle around, bodyguard Big Pong (Corey Ha) shields a crafty grandmother from criminal elements in “Lucky Grandma,†now available for first-run online streaming. Photo courtesy of Eduardo Mayén, Good Deed Entertainment and Kino Lorber.

Of course, in our exhilaration over the fulfillment of our intents, we mustn’t lose perspective, either. When the Universe provides us with what we’re looking for, we must be careful not to push it too far, for that can lead to all kinds of unintended side effects. For instance, when Grandma had amassed a huge fortune at the casino, she should have considered walking away once it materialized. By holding out for more, perhaps even getting a bit greedy, Grandma gave her divine collaborator another (and unwarranted) good shove, risking everything and losing it all. Likewise, when she made up for that loss with the windfall that fell squarely in her lap, she also opened herself up to all of the consequences she subsequently experienced. And on and on it went for the duration of her story. All of which goes to show, as practiced conscious creators are well aware, the Universe naturally leans in our direction, so there’s no need to push it to get our way.

This, in turn, illustrates the inherent responsibility associated with the conscious creation process. Since the intents we seek to be fulfilled originate with us, we have an innate accountability for what happens, both in their initial manifestation and their subsequent consequences. All the trouble that results from Grandma swiping Mr. Lin’s bag, for instance, stems from her, for she’s the one who set the process in motion. It’s unclear what might have happened if she had just stepped forward and returned the cash, but, as gang leader Sister Fong acknowledges in a seemingly chance encounter with Grandma, she’s not above cutting deals when they suit her needs. Of course, consorting with criminals may not be the wisest course, either, but an equitable agreement reached to avoid further trouble might have been preferable to all of the other fallout that occurred.

Still, even when things go terribly awry, they often have a way of working themselves out for the best. Again, this rests with honoring our intents, having faith that they’ll materialize as hoped for, trusting our divine collaborator to see to the fulfillment of our wishes and knowing when to apply the brakes. Under such circumstances, we’re likely to find ourselves sitting exactly where we want to be. Indeed, maybe there’s hope for Grandma yet.

On the run from two rival street gangs, feisty, chain-smoking Grandma Wong (Tsai Chin) finds herself having to maneuver the back alleys of New York’s Chinatown in director Sasie Sealy’s feature film debut, “Lucky Grandma,†now available for first-run online streaming. Photo courtesy of Eduardo Mayén, Good Deed Entertainment and Kino Lorber.

Despite a slight tendency to meander late in the second half, this smartly written, consistently hilarious comedy comes up a winner on many fronts. This send-up of cheesy Chinese crime dramas, mixed with touches of understated wit and campy humor, makes for a warm, funny and touching tale, with an excellent, award-worthy lead performance by Tsai Chin and a fine supporting cast. Director Sasie Sealy’s feature film debut is easily one of the most humorously entertaining offerings to come along in quite some time. See it on first-run online streaming.

We’re all aware of what can happen when we experience too much of a good thing. The process of reaching that point may have its moments of unbridled pleasure, but the resulting aftereffects may be more than we want to handle. So, when “last call†comes up – no matter what the context – we’d be wise to abide by it, for it can save us considerable discontent afterward. And that’s a pretty safe bet.

Copyright © 2020, by Brent Marchant. All rights reserved.

The post ‘Lucky Grandma’ urges us to know when to step back appeared first on Brent Marchant.



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CARLO PANGALANGAN LABRADOR'S PERSONAL FAVORITE FILMS OF THE DECADE



The 2010s were a very pivotal decade in my life, I ended my 20s and entered my 30s, moved to and then left New York, ended two long term relationships, and also began discover who I really was as human and a filmmaker. I made my first feature, and a couple of shorts that I’m proud of. I continue to evolve, but I certainly feel I know myself better at the end of the decade than I did when it began. I am grateful to everyone who helped me grow along the way, you know who you are.

These are the movies that were significant to me during this pivotal time, they inspired me, made me feel creatively engaged, reinvigorated. They’re not ranked per se, as we who obsess over our lists know that their order can change at any given day. But I will say that the ones closer to the top are probably more significant.

Paterson may be the most conventional movie at the top, but seeing it was the right movie at right time. It came out at the very end of 2016, which was a disastrous year for me, and Paterson was just what I needed. I saw it at the now defunct Landmark Sunshine, went back to see it again just to make sure what I had seen was truly great, and then came back a third time with a date (she loved it, but unfortunately it didn’t work out between us.); and after three viewings, I knew it was something special. It inspired me to write poetry, I went on trips to Paterson, NJ to visit the locations of the film, tried to do recreations of some of the images from the film and do side-by-side comparisons. The central relationship in Paterson is one I aspire to, yet I’m not quite sure if it’s even possible. The film’s assured calm, ambient mood make it the perfect film to have playing in the background, and then I end up watching it all the way through. The biggest take away for me, though, is how important it is to make work that is personally significant to you, even if you don’t end up sharing it with the world.

The next few films are closer to what I aspire to achieve cinematically: they are pushing the limits of the possibilities of the moving image, they’re ambitious, take risks, and make you feel like you won’t ever be the same after seeing them for the first time. And there’s some fun entertaining ones in there, too. I also avoided some of the more obvious choices that I knew would be ubiquitous on other people’s lists, I made this list in the hopes that there would be some discoveries for you, some stuff you may have missed, or had come across but never quite gave a chance to. Happy hunting!


TOP TIER:

Paterson (Jim Jarmusch, 2016)

Hill of Freedom (Hong Sang-soo, 2014)

Twenty Cigarettes James Benning (2011)

Holy Motors (Leos Carax, 2012)

Tape (Li Ning, 2010)

Street (James Nares, 2011)

Happy Hour (Ryusuke Hamaguchi, 2015)

Jauja (Lisandro Alonso, 2014)

The Measures (Jacqueline Goss, Jenny Perlin, 2014)

Small Roads (James Benning, 2011)

Knight of Cups (Terrence Malick, 2015)

We Have an Anchor (Jem Cohen, 2012)

All These Sleepless Nights (Michal Marczak, 2016)

The Clock (Christian Marclay, 2010)

Silence (Pat Collins, 2012)

Trypps #7 (Ben Russell, 2011)

The Observers (Jacqueline Goss, 2011)

Love in a Puff (Pang Ho-cheung, 2010)

A Matter of Interpretation (Lee Kwang-kuk, 2014)

Don’t Go Breaking My Heart Diptych (Johnnie To, 2011, 2014)

Margaret (Kenneth Lonergan, 2006/2011)

The Rider (Chloe Zhao, 2017)

The Killing of a Sacred Deer (Yorgos Lanthimos, 2017)

A Spell to Ward Off The Darkness (Ben Russell & Ben Rivers, 2013)

Ponce De Leon (Ben Russell, Jim Drain 2012)

L. Cohen (James Benning, 2018)

Goodbye to Language 3D (Jean-Luc Godard, 2014)

Voyage of Time (Terrence Malick, 2016)

Sound That (Kevin Jerome Everson, 2013)

Certified Copy (Abbas Kiarostami, 2010)

It’s Such a Beautiful Day (Don Herzfeldt, 2012)

List (Hong Sang-soo, 2011)

Sun Song (Joel Wanek, 2013)

Coming Attractions (Peter Tscherkassky, 2010)

Scott Pilgrim Vs. The World (Edgar Wright, 2010)

Destination Wedding (Victor Levin, 2018)

La Flor (Mariano Llinás, 2018)

Moneyball (Bennett Miller, 2011)


source http://www.pinnlandempire.com/2020/06/carlo-pangalangan-labradors-personal.html

Harry Potter Creator J.K. Rowling's Anti-Trans Tweets Spark Anger

Harry Potter creator J.K. Rowling has come under fire for her latest anti-transgender tweets. Themind behind the beloved Wizarding World, Rowling has increasingly drawn the ire of her fans in the years since the final Harry Potter book and movie came out.Over the past decade, Rowling has become infamous for trying to retcon Harry Potter canon to make it seem more inclusive, whether it be through her comments on Twitter or official works like the Fantastic Beasts prequel series (which she writes). She's also become known for adding, frankly, bizarre details to the Wizarding World mythos, like how students at Hogwarts went to the bathroom before plumbing.

On a more personal level, Rowling has also drawn criticism for being a Trans-Exclusionary Radical Feminist or TERF, aka. a feminist who doesn't believe transgender women are real women. In addition to having a history of "Liking" anti-trans articles and comments posted to Twitter, she took to the social media platform last December to support Maya Forstater, a researcher who was fired shortly after making transphobic statements. Now, Rowling has once again sparked anger online for posting ant-trans comments.

Related: Fantastic Beasts 2's Biggest Harry Potter Retcons (And Plot Holes)

On Saturday, June 6, Rowling tweeted about an article titled "Opinion: Creating a more equal post-COVID-19 world for people who menstruate", saying “‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?†Her comments were quickly criticized for being transphobic, promoting Rowling to post a series of followup tweets. You can read her comments below.

LGBTQ rights organization GLAAD has since responded to Rowling's comments on Twitter, saying "JK Rowling continues to align herself with an ideology which willfully distorts facts about gender identity and people who are trans. In 2020, there is no excuse for targeting trans people." They've further asked people to lend their backing to organizations that support transgender individuals (particularly, transgender people of color), including the Marsha P. Johnson Institute and National Black Trans Advocacy Coalition. Queer artists like writers and cartoonists Molly Knox Ostertag and Kate Leth have also publicly criticized Rowling's tweets. Many of them, like Ostertag, have additionally mentioned being confounded Rowling would decide to go on "a transphobic screed about biological gender" in the middle of the ongoing Black Lives Matter protests and coronavirus pandemic.

It remains to be seen if the criticism of Rowling have any noticeable impact on her career, including the Fantastic Beasts movies. Fantastic Beasts 3 had to postpone the start of filming when the coronavirus lockdowns began in late February and early March, but is now allowed to resume production in the UK. Warner Bros. is still planning to make five Fantastic Beasts movies in total, though they may abandon ship if the series continues to see a downward trend at the box office after 2018's The Crimes of Grindelwald. The situation with Rowling is also bad for HBO Max, which launched in the U.S. at the end of May with the surprise inclusion of all eight Harry Potter movies.

NEXT: Why JK Rowling Keeps Changing (& Hurting) Harry Potter Canon

Source: JK Rowling/Twitter



source https://screenrant.com/jk-rowling-anti-trans-tweet-transphobe-terf/